1. The Nature of the Beast
2. BLOODSPORT
3. St. Patrick's Day: The True Meaning
4. In League with Satan
5. Adios Joey!
6. Fishin for Crappie
7. My Kick Ass Bike
8. Bye, Bye, Whiskey High
9. What Kinda Bug’re Yew, Dumb Bug?
10. Touring, Touring, Is Never Boring?
10.5 the BUZZSAWYER / Yins Say Y'all tour diary
11.World War III
12. FEAR
13. Me and Eddie Van Halen: A True Story
14. The Origin of Halloween
15. Hayseed Dixie
16. the greyhound zone
17. Bourbon, Fire and the Eternal Ahhhh
18. You Nailed Him Right in His Mind!!!
19. Pittsburgh Football
20. sloov in san francisco
21. sloov in san francisco, Part 2- Energy Poetry and Chinatown
22. Rock ‘n’ Wrestling
23. That’s Entertainment!
24. Planning a birthday party

EMAIL HIM

His Philosophy

in addition his random social commentary and in depth-junk drawer observations, our favorite writer brian "sloooooov" gallagher has added show reviews to his list of material

so as you tune into your periodic fix of the "yins say y'all" articles that we have all grown to love and anticipate...you can now keep up on some of the shows that you may have missed, should miss, must catch, or might wanna look into.

why? you may ask.
because we care about you! we reply

FIRST SHOW REVIEWs:
1.Immortal Lee County Killers, All Night, The Loners.
2.Supersuckers Country Western Extravaganza, with Jessie Dayton

There are only three moments when I wouldn’t rather be anywhere else in time or space. One is when I’m playing a show, the other is when I’m attending a high caliber musical event. And I’m not gonna tell you the other one- that’s between me and my girlfriend. So here’s some reviews.

Immortal Lee County Killers, All Night, The Loners.
Live at Go! Room 4, Carrboro, NC
Friday May 17, 2002

Friday Night and I feel alright. We arrived shortly past 10:45 which is usually early for a Friday show but I guess that ain’t the way it works at Go! because the Loners had already played. Damn! That’s one Raleigh band I’ve been meaning to catch but they’re local so I’ll get my chance and act on it.

But John Flude was making a celebrity appearance at the gig sippin on the champagne… of beers… so I got my $5 worth of entertainment already.

I was on the wagon since Wednesday because I been feelin down and waiting for a call from the doctor, but while I waited I saw fit to purify so I sucked on some bottled water. So unlike me, my compadres announced. (Stay tuned, below is where I fell back off, pushed by a smiling man in sunglasses and a cowboy hat).

Go! Studios is a rehearsal space where local apartment-confined bands such as me and mine pay by the hour to rehearse. A couple years ago someone at Go! got a notion that Room 4 would make a cool little juke joint and acquired the proper papers.

We played a show the previous Sunday (Mum’s Day) with the Immortal Lee County Killers in Wilmington, NC along with the Needles. Travis, the dude that was touring with the duo and selling some merch and carrying some gear spotted me and said “Hey.” I was sporting the Killer’s polo shirt he hooked me up with on Sunday with Jerry Lee Lewis on the back giving the double middle finger. Sunday they were in kind of a tired mood from having some weekend tour fun (which didn’t stop them from rockin balls), but here it was Friday and they were back awake again. Travis told me that Go! was the first place on their tour that fulfilled the modest tour request of two (2) bottles of Mad Dog 20/20, “and it’s all gone now.” He invited me and my lady to come hang on the balcony with the Killers and we went up and saw the Chet “El Cheetah” Weise and chewed the breeze with him for a while.

Then All Night played and lemmy tell ya, kids, this is rock n roll music. It’s hard-driven, marijuana-fueled southern rock, like the Black Crowes fistfucked by Black Sabbath. And they ain’t afraid to slow it down at times and play it nice, and I ain’t afraid to enjoy it. They had one song that sounded like Zeppelin’s “The Song Remains the Same”. And the boys can sing too. Many people at this show probably came to see them. They are getting a buzz around here in more ways than one, and it’s a good thing to see.

As All Night was tearing down I hear this evil southern voice in my head “That’s a fine looking shirt you got on there.” I turn around and it’s the Killers’ drummer, J.R. Tolkien aka the Tolkien One, former Quadrajet (as Cheetah) and showman extraordinaire. He plays like his soul is a wild mountain lion trying to break out of a rusty cage too small to hold him.

And here come the Killers. A sound like Godzilla screaming *VVVVVVROOOOMMM sizzzlesizzzlesizzle AAHROOO ZRRRRMMM* - then here’s Godzilla marching up over the horizon while chug-chug-chuggin a water tower filled with chocolate milk dn dn DN DN dn dn DN DN dn dn DN DN dn dn DN DN “KILLER – FORTY FIVE!!! KILLER FORTY-FIVE!!!!” They are two LOUD motherfuckers. My ears are still ringing now from the show we played with them last Sunday. And Cheetah got a set of pipes “WELL WELL WELL WELL!!!! WELL WELL WELL WELL!!! KILLER FORTY FIVE!!!! KILLER FORTY FIVE!!!!” Cheetah uses two amps, one as a treble and one to pick up the bass – both distorted as hell. He got a white 4X12” Marshall Cab with a William Faulkner quote scrawled on it, under a Fender head of some unknown sort. And I think he has a Hi-Watt for the bass end of things topping two 15” cabs stacked atop the other. And some feet pedals and devices connecting the two. His guitar is a model he made himself, I think in a woodshop class in high school. I forgot to ask him about it. It’s called the Moon Doggie MD 20/20 and it’s got a HUGE angular body, shaped like an SG on steroids. I’m not sure what model the neck is from but the headstock looks to be from an Ovation.

They got that Alabama dirty dog shit shotgun shack backwoods flavor, and if you don’t believe me, check out the house on their website where it all started. I think someone in the local alt. Weekly said they were the Jon Spencer Blues Explosion of the backwoods. That’s accurate for a wide audience, but what the Killers do is different. It’s more down home, it’s dirtier, and it’s more stripped down, if you can believe that. It’s rooted deep in delta blues, folk blues, acoustic blues, with a reverent bow towards Chicago and a friendly nod to punk rock. Punk from the blues delta, says the website. And drums and guitar happened before the White Stripes kids. The Killers have a HUGE sound that ain’t missing anything.

I was proud of this crowd tonight. I give the crowd a 7 out of 10. I saw some uninhibited stupid looking dancing, which I thoroughly enjoy. There is somewhat of a movement welling up around here to get people to DANCE. Chapel Hillians are very inhibited and insecure when it comes to having a good time at shows (Not me, and you can bet your ass on that). So bands are starting to put “Dance Party” on their flyers and having dance contests and shit. That’s the way to go.

The Tolkien One hath spoken, ladies and gentlemen, from atop the pulpit that is his bass drum. And I paraphrase, “This could be your last night, yer last chance, so drink a beer and have some fun, because you may not be here tomorrow.”

Amen.

Supersuckers Country Western Extravaganza, with Jessie Dayton
Live at Cat’s Cradle, Carrboro, NC
Monday May 20, 2002

You haven’t lived until you see the Supersuckers. This was the third time I got the privilege. I first saw them at Laga in Pittsburgh on the big Supersuckers/Hellacopters/New Bomb Turks/Zen Guerilla tour. That show is probably in my top 5 of all time shows ever. One of the highlights of that show was the bags of weed being thrown up onstage during “I Want the Drugs.” Such respect given to a band that someone would throw $10 worth of Pittsburgh shwag at em. I saw them again at a packed 31st Street Pub. The show wasn’t booked until about a week beforehand as the Suckers wanted to fill in a last minute open date on their tour. Luckily I lived in flyer country and saw one in the window of the tattoo shop down the street from my pad. That kicked some more ass, and I got to rap with Rontrose afterwards (rap=talk. It doesn’t mean we did “You B Illin” by Run DMC)

And this time here in Cackalacky was the Supersuckers Country/Western Extravaganza, where they performed “Must’ve Been High/Live” style. They are supporting Must’ve Been Live, the first record released on their own Mid-Fi records, as in middle finger (the logo is quite clever). Eddie on Mid Fi. “Having our own label gives us the freedom to make more of our music available to [our fans] without the hassles of ‘the middle-man’ worrying about things like ‘marketing’ or ‘demographics’. Hell, these are just hard words. All we want to do is get some kick-ass music out to the people and with Mid-Fi we plan to do just that.”

Along with the four Supersuckers, two from opener Jesse Dayton’s band shared the stage, one on bass (Eddie Spaghetti played a nice-lookin acoustic guitar) and a man on the slide guitar to give the sound a nice, warm country twang.

Jesse Dayton used to be in the Road Kings. I saw them with Mike Ness at the Graffiti in Pittsburgh. He’s a good guitar player – he plays the Tele in the speedy country/western pickin’ style, of which Junior Brown is master. Jesse Dayton’s current group is a good honky-tonk band from Texas. There’s a lot of good REAL country music coming up. Hank III, who I saw at a little bar called the Bluegrass Inn in Nashville, is another one bringing GOOD country at ya. It’s unlike most of the plastic ass pop-country shit that stupid Music Row bosses fart out every year, that you see on the Country Music Awards and in a lot of clubs in Nashville. It’s picking up where guys like Hank Sr., Johnny Cash, George Jones, Willie Nelson, and Waylon Jennings (you know, the bad-asses) left off. Music with balls.

The Jesse Dayton show was entertaining as hell. They played a honky-tonk version of The Cars “Just What I Needed” and invited Mr. Spaghetti to come out and sing. And after that I just had to fall off that wagon and get a beer. And it did make everything better. Don’t believe anybody that tells you you can have fun without drinkin. They are usually the ones who are complaining it’s too hot and they want to leave.

At the end of Dayton’s set they did a medley of Johnny Cash tunes, in between each tune asking the audience for shots of Jim Beam over some fiddling around an E chord. They kept on asking, but no one would buy them a shot. Why? The Cat’s Cradle doesn’t have liquor! The liquor laws down here are stupid in different ways than the ones in PA are stupid. Here you can buy beer in any store, but you can only have liquor in certain bars. Yinz say yall. Who the fuck came up with this stupid ass shit? Let’s get ‘im. But someone bought the band a round of Buds, which was kind-like.

And on come the Supersuckers to lead us into a good time, laughing, sing-a-long good fuckin time. Eddie Spaghetti is a true showman. He’s the kind of have-a-good-time-all-the-time guy that makes you want to be there, and if you ain’t having a good time, you feel like a sinner. And you are. He just had a kid not too long ago, and there’s some gray showing up on his Elvis chops, but there’s no denying that he’s still the MC. “How about a nice round of applause for Jesse Dayton? And how ‘bout them Supersuckers?” Dan “Thunder” Bolton is reminding me more and more of Rick Nielson of Cheap Trick, with his beard, beer gut and sarcasm. Rontrose remains the skinny black jeaned t-shirted rocker dude while Dancing Eagle is a caveman back ‘ere with the clubs.

The show was a damn roller coaster called “The Atomic Yeah!”. The Supersuckers are such a well-oiled live machine. They can take you down with them for a somber moment then right back up into kick ass rock n roll time, even with the acoustic guitar and the tiny little amps in tow. It started off with some old favorites like “Double Wide” and “Dead in the Water” and then you had your “Roadworn and Weary” and a song called “Talented Boy” that was a somber number about a long gone friend that marked the first time I saw Eddie Spaghetti without a smile on his face. But the Supersuckers won’t leave you there in that somber mood and then jump right into an upbeat one – they BRING you back with “Peace in the Valley” and after that yer just “Yeah!” and it takes ya. They played the song “Non-Addictive Marijuana” which saw joints being passed around and to the band and toked upon and back to the audience. That was a cool, friendly moment that made you feel like these were just some guys playing in your living room at a house party. The joint-smoking kept on whilst the band ripped out the big hits “Jackalope Eye” and “Born With a Tail”. Then they did a “fake encore” where Eddie says, “Thank you good night, we’re the Supersuckers!” and he turns around, then everyone cheers and he turns back around and thanks you for “inviting us back out.” Saves time.

What a show. The merch table was crammed with people while I stood outside the door handing out flyers for our 506 show on Sunday. The little band room in the Cradle was a cloud of weed smoke as cases of Bud were brought back to be enjoyed.

The old folks’ had the Stones in their heyday, and we got the Supersuckers. Only you don’t have to watch the Suckers from a mile away in the nosebleed seats, and you don’t have to blow a security guy to hang out and smoke a joint with ‘em after the show. Shit. People complain about the record industry not putting great bands up on MTV, but as long as I get to see the ‘Suckers in bars and nightclubs, I ain’t complaining.

5/22/02

show reviews
shirts music 814 records people links shows store message board legal issues contact 814